January 18

From afar, they look like a solemn procession of metal giants.

Now that I have to go to the office twice a week (I do not mind the going part, but ah, how do I hate the being in the office part!), I start seeing my time in the bus as a thing of beauty and mystery – a time when time itself is suspended, when I exist outside of my daily routine (this time is neither work, nor play, nor family nor a personal time in its strict sense), yet I very much exist. A lot of my thinking, wondering and dreaming happens on this morning bus ride (I do not feel the same way about evening buses that tend to be crowded and uncomfortable). I secretly like the feeling of moving through space, yet being outside of time. Sometimes I read. That is, I oblige myself to read, so as not to waste valuable 30 minutes, but in reality my reading never progresses more than half a page – the rest of the journey I let my gaze and my thoughts wander.

The trip itself starts among the low-rises of middle-class residential suburb, continues to the highway, passes one sprawling mall, then more highway, ligned on both sides by industrial buildings, a second mall and ends in front of a brand new station of a brand new electric rail. On an alternate route, it goes: suburb, highway, mall, more highway that runs along CN railway, then a very ugly part of a bigger suburb that consists mostly of car repair shops, questionable bars and cheap fast-foods, a somewhat fancier part of the suburb, an urban university campus and finally a metro.

Regardless of the route, it is on the first short portion of the highway that one sees a bit of the land. First, it is just a large field with few spindly trees and a large sturdy farmhouse in the middle. Then, as the highway makes a gentle turn left, towards the mall, one can see the blue shape of Mont Bruno and a second smaller hill on the horizon. Then everything disappears, replaced by concrete and metal shapes of the windowless shopping containers.

It is a brief and not particularly beautiful view, but I came to love it. I think it tought me how much of the land was taken, misused, altered and appropriated, yet even in its subjugated form the land remains alive and beautiful. Even through the dirty window of the bus, even as a parenthesis between urban sprawl and commercial zones, the land offers everything: a vast open space, a view of the horizon and blue shapes of the hills covered with forest. The land appeals to the wild and authentic part of me – the one that hates every minute spent in the office and the very proximity of Sainte-Catherine, but loves the high ceilings of the National Library, the hush of bookstores, the friendly rush of the cafés, being out and about – as far out and as much about as I possibly can.

January 15

Next week will be my work anniversary.

Most of the people I knew a year ago have moved on to other things, but I still feel like I am drifting in between. This morning, looking at the black shape of the newly build sky-scrapper outside of my dirty office window, I thought about the phrase from Mina Salami’s Sensuous Knowledge that I heard a few days ago: some of us may be locked in golden cages, but even though the bars of the prison are gold, it is still a cage. I feel this way about the whole corporate capitalist system – even though the bars of my cage are not quite golden, they are gilded – yet, it feels more and more like prison. I don’t know if it’s burn-out, a mid-life crisis or a menopause.

I am reading Sandra Newman’s Julia, a feminist retelling of Orwell’s 1984 – I believe I have not been this enthralled in a book since reading Anthony Doerr’s Cloud Cuckoo Land in the beginning of 2022. A strange thing is happening – I realize that I read this book through the lens of the inter-generational trauma that I carry in me. I know the truth of it through the mirrored experience of my ancestors – great-grandparents generation that lived and died in purges, forced displacements and artificial famine. Chapter 12 is particularly horrifying – it describes the famine organized by the party regime in Semi-Autonomous Zones – one doesn’t need to know all the facts to feel it resonate through one’s bones and flesh. Somatic knowledge is a powerful thing.

One of the reasons I started journaling this year is to understand the way my trauma, especially intergenerational trauma, shapes me and the ways I may heal from it. My goal this year is to gain deep knowledge, the one that will help me to understand myself and relate to others from a place of intentional kinship. I hope that with time writing will become a reflex and this reflex will bring forth a deeper truth.

January 15

I am trying not to fall back in a corporate fever trap by placing accents on what’s important. Children are important, calling mom is important, being outside, movement, eating, replying to non-work messages, slowing down, breathing. Reading, journaling, taking pictures of fleeting moments, anticipation.

And sleep, how could I forget sleep?!

Good night

January 13

Rain on snow then snow on rain… I wonder if we will have a week of decent winter this year.

It is good to see old friends and remember that no matter how old and how long ago, they are still friends and they keep a part of you.

Conjugating the Mohawk word – nòn:we’s (like) with person-to-person pronouns. I like you, you two like me, she likes you all, they like all of us, you and I like him. I imagine what it might be like to be a fluent Mohawk speaker. To place every action, feeling and intention in the web of closely knit relationships. Pronouns are not external, independent words – they change the verb. I like you is not the same verb as she likes them. It is not the same feeling either.

Coming back home in the evening to Leonard Cohen’s concert playing on TV. I wonder what he would have thought of it all.

January 12

Today I feel happy, while I feel all other things including grief, confusion, anger, exhaustion, hope and hurt. Still, today I feel happy because I created a framework for mutual learning and accountability of our grantee partners. This framework is simple, written in human language, it venters love, trust, humility and collaboration.

I have not yet shown it to anyone, but I feel that I did my best work. That for once I managed to translate the language of my heart into the professional codes of my job. And now, while this framework remains my brain-baby, still hidden from the world, even from my friends and co-conspirators, I want to note this. Regardless of what other people think about it, it is a good work. Regardless of how it gets distorted by corporate colonial system, it is a good work. It is good, because it makes me feel whole. It is good, because it bridges the gap between the brave, genuine and vulnerable me and the professional me. It is good, because it is me without a mask. It is good because I wrote it not to impress someone or show how smart I am or test-drive new fancy concepts – I wrote it from the heart, from everything I learned in the past three years, from my place of trauma and from my place of compassion. It is good because it is healing.

January 11

I’ve been walking on this street almost for a year without noticing the water reservoir on the roof of the building. I wonder, if there is a word in some language that means “to see for the first time what had always been there.”

I had promised myself to dream up some sustainable and livable world for my son in 2080, but this will have to wait. Today, I learned about the life and philosophy of Ikkyū, a 16th century japanese zen master. It started with a morning podcast with Michael Meade, who was speaking about the Kairos and quoted the monk:

How many times do I have to say it?

There is no way not to be

Who and where you are.

Ikkyū was one of the most unconventional figures in the history of Zen. In the time when Zen was politicized and commercialized (apparently, in 16th century Japan, like in 21st century Turtle Island, people found ways to make profit of everything). Ikkyū was among those who resisted the weaponization of Zen and its contortion into a rigid academic and hierarchical structure and insisted that Zen was a lived and living experience.

From reading his story, it is hard to understand whether Ikkyū was a show-off, a madman or a humble genius. In all likelihood, he was all three. And if I’m honest, Ikkyū sounds more like a mythical archetype, than a real man. There is a number of these fascinating rebellious geniuses: Diogenes, the founder of Hassidism Baal Shem Tov, Ukrainian travelling philosopher Grygory Skovoroda. Jesus of Nazareth could probably be put in the same category. These men remind us that true freedom and enlightment require radical imagination and the courage to break away from the system. Ikkyū also reminded me that one thing I can never stop being is myself.

Other than that, I spent my day checking the updates about ICJ case agains I*rael and reading about western powers bombing Houthis. I’ve been taught to think about Houthis as pirates and terrorists, but now I’m questioning the biases I’d internalized.

January 10

Today, during the webinar on Inner Development Goals, the presenter asked us to participate in the activity to illustrate long-term multigenerational thinking and decision-making. He asked us to imagine the youngest person that we are close to and the oldest person. We were to reflect on what the world was like when the oldest person was the age of the youngest and what it will likely be when the youngest will get to the age of the oldest. Also, he asked us to imagine what we would like the world to be at that point of time.

Naturally, I thought about my almost-five year old son and my seventy-one year old mother, not because she’s the oldest person I know, but she’s the one closest to me. 

My mother was born one year before the end of the reign of Joseph Stalin (I had never realized that before!) in a small Ukrainian town called Radomysl. When my mother was the age of my son, she was growing up in a country ruled through oppression, terror and ideological brainwashing. It must have been the time when the survivors of the GULAGs were slowly returning to their places of origin. It was a time when the USSR and the USA were racing towards sending the first man to space. It was also the time when my mother’s family couldn’t afford simple things like a washing machine or a refrigerator. They had running water, but the toilet was outside. My mother told me that her biggest dream was to have a store-bought doll -only her Jewish friend had such a luxury, she had to make do with a home-made ragdoll.

Yet, it was also the time when they lived simply and sustainably. When I was young, my mother used to take me to Radomysl to visit her aunts (her own mother had passed away before my birth), so I remember the houses and the yards vividly. The houses had no front yards. The back of the house was facing the street, whereas the front entrance faced the backyard. There was a chicken coop, some fruit trees, berry bushes and strawberries and many rows of sensible vegetables: tomatoes, cucumbers, cabbage, carrots and, of course, beets. People who had space planted potatoes. Potatoes and cabbage were synonymous with Ukrainian survival not only during my mother’s childhood, but also during mine. At the edge of the vegetable patch people would plant corn and sunflowers. People hauled most of their food from the local market (shops were truly miserable). In the summer, they made jams and preserves- it wasn’t some kind of hipster utopia, just simple survival. 

My son was born in one of the most prosperous countries in the world one year before the global pandemic. He is growing up in the time and place where the stores have every kind of fruit and vegetable in any season, where Netflix serves him entertainment à-la-carte at will, where distance and time difference almost disappeared thanks to advanced technology. It is also the world where the ecosystems are dying, the facism is coming back from the oblivion, the inequality of growing and genocides are happening in front of our eyes. My son will reach the age of my mother in 2080. As I type this date, I have a vague sense of dread and no desire to dwell on the details. Will there be glaciers? Virgin forests? Life in the ocean? What will the temperatures be like? Will there be snow? Tornadoes? Will he be able to vote? Will there be a nuclear winter after some power-crazed male finally pushed the button? I do not idealize my mother’s childhood, but somehow it sounds less dire than my son’s old years.

I will take a break now and tomorrow I will try to think up the world I want in 2080.

In this darkness something is emerging. I can’t name it, I struggle to describe it or to make out its contours, but I can feel it. There is something being born.